This usually results in some rather terrible poetry. But at least it gets me thinking about my thoughts - how meta is that? - and putting those thoughts down on paper. Something I've not done enough of since paying a whole shitload of money to refine my craft. Money wasted? Probably. Maybe not. Who knows? Who cares? Good experiences, or something. Grad school didn't teach me to be brave, though, which is something I think the poet must be. Brave and willing to work hard at the craft - revising and revising and revising - never my strong suit. Instead I dash it out and it's over and done.
It used to be the norm to puke out three or four poems a day. Now it's three or four a year. I wonder how much age has to do with it?
So, poetry Tuesday today.
Nelson Hall - 1994-95
Someone once asked
me
How can you love me
if you don't love yourself?
The question's
rattled around my head for years
and years. I've never found a satisfactory
answer. Is this
really all we are?
I'm still trying to
determine, at
39, who I am and if
I give a shit at all.
Most times ambivalence abounds -
the wrapper that is
me - the bag of flesh
around a
consciousness
that doesn't
understand how to empathize,
but empathizes so
much it cannot
see its own emotions
are valid and
need release, need
validation.
A psychobabble
bubble expanding against
the walls of my
skull. Threaten to burst,
then pull back and leave the empty feeling again.
Looking back now,
she just wanted a convenient
excuse to get away
with a clean break.
But the truth lies
there.
At the heart of it,
something in those words
must feel true or
why do they still prick
after twenty years
have accumulated over them?
And how is it that I
can remember her eye color
and the small gold
stud she wore in her nose
but can't remember
her name?
Did I love her?
Fuck, I don't know. I don't know much
from that time - I
was just fucked out of my head
as was everyone
around me - like the sixties
wrapped in flannel
and torn denim, life in a madhouse,
the beer can, Nelson
hall - bastion of future rock stars
business majors,
burn outs, and wasted lives.
Nine months crossing
boarders from 1994 to 95,
a gestation period.
When you're 18 each moment seems
an eternity. When
your mind is eaten away with chemicals
they seem longer.
I can remember, kind
of, nights alone with the northern
winter dark out my
window - glass crazed with frost - screaming
in the concrete
bunker of that dorm, trying to feel
something real - the
disconnection with the world out that
door so complete
I wouldn't talk to
anyone for weeks, paranoid
and watching the
world melt around me.
It's only in this
dark near-winter mornings when
these memories flood
back, these strange emotions
that I couldn't
process then and can't connect
to anything real
now.
I can feel with each
year the razor edge of confusion,
of passion, of
everything that used to make life both
painful and
wonderful and mysterious, slowly dull. Like a TV
on the brink, colors
all fading to sepia monotone,
a rerun of a rerun,
Mr. Ed and My Three Sons, canned laugh
tracks and over-worn
plot lines. Do I really have
another twenty,
thirty, forty years of this? A continual
reduction of
stimulus, of impulse, of making all
the same mistakes
time and again trying to get them right?